Film & Video
Year | Title | ||
2010 | We Are Alive | digital video 101 min |
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2004 | In My Father’s House, There are Many Mansions | digital video 10 min |
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2002 | Ho Yuk (Let’s Love Hong Kong) | 35mm film and digital video 87 min (restored in 4K DCP in Dec. 2022) |
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2000 | Finding Oneself | Digital Betacam video 22 min |
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1999 | Suet-Sin’s Sisters | BetacamSP video 8 min |
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1998 | I’m Starving | 16mm film and BetacamSP video 12 min |
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1997 | June 30, 1997 | BetacamSP video 8 min |
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1997 | Diasporama: Dead Air | BetacamSP video 89 min |
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1993 | Video Letters 1-3 | BetacamSP video 11 min |
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1993 | Flow | BetacamSP video 39 min |
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1993 | The Ideal/Na(rra)tion | BetacamSP video 4 min |
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1991 | Is There Anything Specific You Want Me To Tell You About? | 16mm film and BetacamSP video 12 min |
References
Zhang Zhen, ‘“We Are Alive”: Minor Transnationalism and Yau Ching’s Queer Experimental Filmmaking,’ Women Filmmakers in Sinophone World Cinema. Amsterdam: Amsterdam University Press, September 2023.
Eve Ng, “The Work of Hong Kong Filmmaker Yau Ching,” 2013.
Bérénice Reynaud, “Yau Ching,” Encyclopedia of Contemporary Chinese Culture, 2011.
Gina Marchetti, “Interview with Yau Ching: Filming Women in Hong Kong’s Queerscape,” in Esther M. K. Cheung, Gina Marchetti, Tan See-Kam eds., Hong Kong Screenscapes: From the New Wave to the Digital Frontier. Hong Kong: Hong Kong University Press, 2011, pp. 213-223.
The Ground beneath Her Feet: Fault Lines of Nation and Sensation in Yau Ching’s Ho Yuk: Let’s Love Hong Kong,” GLQ: A Journal of Lesbian and Gay Studies, 2008, v. 14, no. 1, pp. 99-119.
“Cameron Bailey, Images fest has a thing for sex. Now, Apr. 22, 1999, v. 18, no. 34.
Fuse, Winter 1997, v. 20, no. 1.
New Art Examiner, Oct. 1996.
Yau, Ching, “Many and Two of (a) Kin(d): An Imaginary Dialogue with Hong Kong Independent Filmmaker Yau Ching.” Chinese History and Society (Berliner China-Hefte) Issue 40 (Aug): 127-137, Berlin: Freie Universität, 2012
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