| 2023 |
“Identity dismissed: Hong Kong leftist cinema of the 1950s,” Journal of Chinese Cinemas. 16.3. Oct. DOI 10.1080/17508061.2023.2266122. SCIE, SSCI, AHCI, Scopus. |
| 2022 |
“Film as Material, Art as Muscle,” commissioned essay for M+ Magazine, Hong Kong: M Plus Museum of Visual Culture. |
| 2018 |
“Reimagining Marginality in Hong Kong Comedy Films.” Hong Kong Film Archive Newsletter 86, 21-27 |
| 2012 |
“Many and Two of (a) Kin(d): An Imaginary Dialogue with Hong Kong Independent Filmmaker Yau Ching.” Chinese History and Society (Berliner China-Hefte) Issue 40 (Aug): 127-137, Berlin: Freie Universität |
| 2011 |
“Stigmas as Metaphor: Thoughts on Coalition Building Across Stigmas.” Router: A Journal of Cultural Studies 13, Spring. Taipei: Cultural Studies Association, 314-322 |
| 2006 |
“Bridges and Battles.” GLQ: Journal of Lesbian and Gay Studies 12.4: 604-609, Duke University Press |
| 2005 |
“Performing Contradictions, Performing Badgirlness in Japan.” Gender and Globalization in Asia and the Pacific Occasional Paper Series III. Honolulu: University of Hawaii |
| 2002 |
“The (Im)possibility of an Institutional Critique––Tang Shu Shuen’s China Behind.” Spectator: Media Journal. Los Angeles: University of Southern California 80-97 |
| 2002 |
“Where Do We Go From Here? – Hong Kong Cinema After 1997.” Flash Art International (Spring) |
| 1997 |
“Can I have MSG, an egg roll to suck on and some Asian American media on the side?” Fuse. Toronto. 20.1 (Winter): 44-56 |
| 1994 |
“The Sublime Object of Home.” Felix (A Journal of Media Arts and Communication) 2.1: 38-46 |
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