Hong Kong Cinema

“Between Family-State Love and Romance: Return of the Swallows (1948) and The Sisters’ Tragic Love (1953)” Talk by Commissioned Scholar, Hong Kong Film Archive, 2017

“The Line Between Picking or Not Picking Wild Flowers: Where is the Lady’s Home? (1947) and Wild Flowers Are Sweeter (1959)” Talk by Commissioned Scholar, Hong Kong Film Archive, 2016

“Predicament and Reconstitution of Family and Nation: The Light of Women (1937)” Talk by Commissioned Scholar, Hong Kong Film Archive, 2015

Jury Panel, Open Category, IFVA, Hong Kong Arts Centre, 2015
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“The (Re)making of the Hong Kong Ethic in 1950s Hong Kong Leftist Cinema,” “Neomoralism Under Neoliberalism” International Conference, Lingnan University, 2014

“Localness in Hong Kong 1930s-1950s Cinema,” Anthology of 10th Hong Kong Literary Festival Seminars, Hong Kong Public Library, 2014

“The (Re)making of the Hong Kong Ethic in 1950s Hong Kong Leftist Cinema,” “Neomoralism Under Neoliberalism” International Conference, Lingnan University, 2014

Chief Supervisor of Shen Dan, MPhil candidate in Cultural Studies, “History and Politics: The Imagination of Space in Hong Kong Films.” Lingnan University, 2012-2014

External Examiner for Cheung Tit Leung, PhD candidate in Visual Studies, “Extending the Local: Documentary Film Festivals in East Asia as Sites of Connection and Communication.” Lingnan University, 2010

“Film and Cinema Studies,” Department of Cultural Studies, Lingnan University, 2006-2013

“Seminar in Current Cultural Issues: The Stephen Chow Phenomenon,” Department of Cultural Studies, Lingnan University, 2007-2008

“Porn Power: Using Li Han-hsiang’s Fengyue Films as a Case Study.” Wednesday Gender Seminars on Pornography, Gender Studies Programme and The Gender Research Centre, Chinese University of Hong Kong, 2007

Ho Yuk – Let’s Love Hong Kong: Script and Critical Essays. Hong Kong: Youth Literary Press, 2002