Exhibition & Performance

Exhibition & Performance

Staged Reading of THE MALADY OF DEATH: ÉCRIRE ET LIRE, directed by Haegue Yang, curated by Mobile M+: Live Art, Sunbeam Theatre Hong Kong, 2015, Photo by: Haegue Yang “Object-act-ivities,” performance-installation. Co-produced with P. K. Leung, Choi Yan-chi and C. Y. Mui, et al. Sheung Wan Cultural Centre, 1989 “Dizzy Fish Learns To Be A Winner In Losers’ Paradise,” in collaboration with Sara Chi Hang Wong, Hong Kong Arts Centre, 2001 MOVE ME, Interactive Digital Installation, “Bits Of You, Bytes of Me: An Aesthetic Dimension of Human-Machine Interface”, University of Hong Kong Museum, 2001 STABILITY AND PROSPERITY, Digital Mixed Media Installation, Young-Un Museum of Contemporary Art, Korea, 2000 TREASURE HUNT, Interactive Media Exhibition, “Art in the Anchorage”, New York Brooklyn Bridge, curated by Creative Time, 1996

Solo Exhibition

12/2013 – 1/2014 The Future in Past Tense––A Retrospective of Yau Ching’s Film and Video Art,” Guangdong Times Museum, China
2013 Screenings of six Yau Ching’s films and videos followed by discussions, various sites, organized by Institute for Tongzhi Studies, New York City
2005 Screenings of Hong Kong Independent Filmmaker Yau Ching’s Works and Talks,” Associação Audio-Visual Cut, Macau
2003 Director In Focus,” Taiwan International Women’s Film Festival
1994 Featured in Robert Flaherty International Film Seminars, New York

“The Future in Past Tense, Voices in Silence––A Retrospective of Yau Ching’s Film and Video Art,” Guangdong Times Museum, China, 12/2013-1/2014, Photo by: Ah Shan “The Future in Past Tense, Voices in Silence––A Retrospective of Yau Ching’s Film and Video Art,” Guangdong Times Museum, China, 12/2013-1/2014, Photo by: Ah Shan “The Future in Past Tense, Voices in Silence––A Retrospective of Yau Ching’s Film and Video Art,” Guangdong Times Museum, China, 12/2013-1/2014, Photo by: Ah Shan “The Future in Past Tense, Voices in Silence––A Retrospective of Yau Ching’s Film and Video Art,” Guangdong Times Museum, China, 12/2013-1/2014 “The Future in Past Tense, Voices in Silence––A Retrospective of Yau Ching’s Film and Video Art,” Guangdong Times Museum, China, 12/2013-1/2014 Poster for Screening of WE ARE ALIVE and Q/A, Ozu Concept Bookstore, Shenzhen, 2013

 

Installation & Performance

2015 Staged Reading of The Malady of Death: Écrire et Lire, directed by Haegue Yang,  curated by Mobile M+: Live Art Sunbeam Theatre, Hong Kong
2015 Invited writer, “4×10 Comic Exhibition,” Consumer Council 40th Anniversary, various public sites in Hong Kong and Kowloon. [Poster] [Postcard 1] HKSAR
2004 Right Behind You, digital media installation Hokkaido Museum of Modern Art, Japan
2001 Move Me, interactive digital installation University of Hong Kong Museum
2001 Dizzy Fish Learns To Be A Winner In Losers’ Paradise, collaboration with Sara Chi Hang Wong, mixed media solo performance Hong Kong Arts Centre
2000 Stability and Prosperity, digital mixed media installation Young-un Museum of Contemporary Art, Seoul, South Korea
2000 Transparent City, video installation Experimental Art Gallery, Hong Kong Arts Centre
1997 Mysteries of the Orient, an interactive video installation and a website [Catalog] Premiered at University Gallery, University of Michigan and traveled to MoCA, Los Angeles
1996 Treasure Hunt, interactive media installation commissioned by Creative Time Brooklyn Bridge Anchorage (National Heritage)
1993 We Are Not What You Think, Honey!, ten digital images installed on buses Rochester and Buffalo, “Montage 93,” International Festival of the Digital Image
1992 Participated in Sound Poems Exihibition, St. Mark’s Poetry Project  New York
1989 Object-act-ivities, performance-installation. Co-produced with P. K. Leung, Choi Yan-chi and C. Y. Mui, et al. Sheung Wan Cultural Centre, Hong Kong.
1989 Present Continuous Tense, performance-installation, invited and organized by Zuni Icosahedron Statue Square, Hong Kong

“Bodies of Work and Residues of Hand Gestures” Exhibition, University of Michigan Gallery, 1997 Sapporo Artist In Residence (S-Air), 2003-2004 “4×10 Comic Exhibition,” Consumer Council 40th Anniversary, Local Culture Creator in Response with Text, Lok Fu/Tseung Kwan O, Hong Kong, 2015 “INKcarnation: Literary Tattoos” Photo Exhibition, 1a space, Cattle Depot Artist Village, 2015 “Object-act-ivities,” performance-installation. Co-produced with P. K. Leung, Choi Yan-chi and C. Y. Mui, et al. Sheung Wan Cultural Centre, 1989 “Dizzy Fish Learns To Be A Winner In Losers’ Paradise,” in collaboration with Sara Chi Hang Wong, Hong Kong Arts Centre, 2001 “Dizzy Fish Learns To Be A Winner In Losers’ Paradise,” in collaboration with Sara Chi Hang Wong, Hong Kong Arts Centre, 2001 “Dizzy Fish Learns To Be A Winner In Losers’ Paradise,” in collaboration with Sara Chi Hang Wong, Hong Kong Arts Centre, 2001 “Dizzy Fish Learns To Be A Winner In Losers’ Paradise,” in collaboration with Sara Chi Hang Wong, Hong Kong Arts Centre, 2001 “Dizzy Fish Learns To Be A Winner In Losers’ Paradise,” in collaboration with Sara Chi Hang Wong, Hong Kong Arts Centre, 2001 “Dizzy Fish Learns To Be A Winner In Losers’ Paradise,” in collaboration with Sara Chi Hang Wong, Hong Kong Arts Centre, 2001 “Dizzy Fish Learns To Be A Winner In Losers’ Paradise,” in collaboration with Sara Chi Hang Wong, Hong Kong Arts Centre, 2001 “Dizzy Fish Learns To Be A Winner In Losers’ Paradise,” in collaboration with Sara Chi Hang Wong, Hong Kong Arts Centre, 2001 “Stability and Prosperity,” digital mixed media installation, Young-un Museum of Contemporary Art, Seoul, South Korea, 2000 “Stability and Prosperity,” digital mixed media installation, Young-un Museum of Contemporary Art, Seoul, South Korea, 2000 “Stability and Prosperity,” digital mixed media installation, Young-un Museum of Contemporary Art, Seoul, South Korea, 2000